Tuesday 19 January 2010

"As he sat on his balcony eating the dog..."


Some exciting news emerged tonight (as reported by bloody disgusting) that Vincenzo Natali is still attached to his long-in-gestation adaptation of J.G. Ballard's seminal SF novel High-Rise. The project has been on his slate for several years now, but I've been wondering for a while if he might have abandoned it. I've always thought High-Rise suited Natali perfectly. It's thematically similar to Cube in that it's about ordinary people dropping their veneer of civility and resorting to violence in a desperate and claustrophobic situation. Another similarity to Cube is the central role that the architectural environment plays in the story, how it influences and defines the character's actions.

Our bizarrely evolving relationship to technology and the urban environment is a theme that runs through my favourite Ballard stories (Crash, Concrete Island & High-Rise) and I don't think that the ideas he postulated in those novels have dated at all. In fact I think they're more relevant now than when they were written, and show a real prescience to Ballard's vision of where we're headed as a society (it's not optimistic).

Having only just lost this great SF writer last April, it's heartening to know that one of his most beloved novels is in the capable hands of an intelligent, independent film-maker. Too many of Philip K. Dick's SF stories have been reduced to dumbed-down action fests, but with first Cronenberg's Crash and now Natali at the helm of High-Rise, Ballard's cinematic legacy may fare better.

4 comments:

  1. Thanks for the heads-up on this! I would *love* to see Natali adapt HIGH-RISE. You're right on the money when you say Ballard's classics are more relevant today than when they were published.

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  2. Yeah, I think he was a real visionary. He speculated about the future of humanity in a less orthodox way than most other SF writers. Did you know that there's also an adaptation of Concrete Island in the works?

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  3. I did *not* know that. I'm an enormous fan of Cronenberg's adaptation of Crash, so the bar is high.

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  4. Crash, a real love it or loath it affair. I loved it.

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