Chaos Reigns (again)

This year Lars von Trier returns to the horror well for the first time since 2009's celebrated and in equal measure reviled ANTICHRIST. One review for THE HOUSE THAT JACK BUILT out of its premier at Cannes, from a source that I trust (was it ScreenAnarchy? sorry I can't remember), hints at a more reserved film than ANTICHRIST, but that certainly doesn't jibe with all the other well publisised reactions (“disgusting,” “torturous,” “repulsive”) and reports of a mass walkout of more than 100 attendees. Is it really that nasty, or do people at Cannes just love to hate von Trier?

Whatever, today I just want to point out this cool poster for the film that dropped last week. Recreating Eugène Delacroix's famous painting "The Barque of Dante" as a dramatic freeze featuring the film's cast feels like such a calculatedly cynical move on von Trier's part. Having already gone on record as saying that the film's main theme is "the idea that life is evil and soulless", it's obvious that one of his main motives for making JACK is to provoke maximum disgust and hate. A work of pure nihilistic cinematic bile.

So what better way to make the film press loath him even more than they already do than by releasing a poster that blatantly compares his film to great art? Ah, Lars, gotta love him!

John Hurt

The first crew member of the Nostromo to encounter H.R. Giger's nightmare (in Ash's words, the alien is "Kane's son"), is now the first member of that wonderful ensemble of actors to leave us.

John Hurt was the quintessential character actor. With over 200 credits to his name, and working right up until the end (he'll appear in no less than four movies due out this year), his career spans every genre and a veritable who's who of directors. Imbuing all of his roles with intelligence, dignity and a delicate subtlety of expression, you could always be sure that whatever film he appeared in would be elevated by his presence. I'll miss him greatly.

10 RILLINGTON PLACE

MIDNIGHT EXPRESS

ALIEN

THE ELEPHANT MAN

1984

DEAD MAN

CONTACT

HELLBOY

THE PROPOSITION

V FOR VENDETTA

MELANCHOLIA

TINKER TAILOR SOLDIER SPY

ONLY LOVERS LEFT ALIVE

SNOWPIERCER

Autopsy: 2009

Looking back at my first post below (from March last year), It's interesting to see how my expectations for 2009 panned out (or didn't).

My most anticipated film - Natali's Splice - has still not seen a release since being picked up by German company Senator International some two years ago. There's been talk of Senator's financial woes and possible studio meddling to tone down some of the films more confronting elements and give it a more "mainstream appeal". Ugh. An example of this short-sighted stupidity is the studio's idea to change the name from the evocative Splice to the utterly generic Hybrid.

There's still hope though! The film debuted at last years Sitges Film Festival to a positive critical reaction and came away with the festival's award for Best Special FX. Since then it's been added to this years Sundance midnight section where it will hopefully generate some buzz and find a new distributor. In the meantime the excellent twitchfilm.net is hosting a diary written by Natali documenting the experience of taking his monstrous labour of love to Sundance. The first entry can be found here.

So, looking back at my first post again, it's interesting to note that Romero's latest zombie film (going under the working title of "... Of The Dead" at the time of that writing) has since received a proper name as Survival Of The Dead, and opened at various festivals to very mixed reviews (it really seemed to polarise people). It's been picked up for distro by the genre-friendly Magnet and I for one can't wait to see it. I'm not a Romero apologist (I'll happily admit that about half his output has been pretty wonky) but I've found a lot to like in both of his "neo-dead" flicks. Yes, even Diary.

My prediction for an '09 release of Stuart Gordon's latest Lovecraft adaptation The Thing On The Doorstep was wildly off the mark as it seems to have all but vanished from his slate of future projects. The burly auteur spent the year working in his original medium - the theatre - on a one-man production called Nevermore... an Evening with Edgar Allan Poe starring who else but Jeffrey Combs. According to bloody disgusting he may now be attached to a horror project called The House On The Borderland which although not an H.P.L. adaptation, seems very Lovecraftian in nature. From bloody disgusting: "the supernatural thriller focuses on a family that relocates to a relative’s rural home only to discover it guards the border between our dimension and another which is inhabited by a race of hostile creatures." Sounds promising.

As far as the rest of the movies mentioned in that first post - Q.T. really silenced the nay-sayers by serving up a satisfying and exciting exploitation epic in Inglourious Basterds. A pretty amazing feat given how rushed the production was. John Hillcoat's The Road is finally getting a theatrical release this month after long delays. Early reviews have been pretty mixed, but at least it seems to have retained the grimness of Cormac McCarthy's book. Finally, Winding Refn's little metaphysical viking pic Valhalla Rising has still only been seen by a few festival goers but his other '09 film Bronson is one of the few last year that really surprised me. This hypnotic Kubrickian homage really blew my mind, in no small part due to Tom Hardy's intense performance. It easily made my top three for the year along with Neill Blomkamp's stunning SF debut District 9 and my biggest surprise of the year - von Trier's Antichrist. Von Trier was a director I had long dismissed as a pretentious art-wanker of the most annoying kind, but this sublimely beautiful and deliciously disturbing horror movie has had me completely re-evaluating my opinion of him (I've since watched Breaking The Waves for the first time and loved it). So in the end, not one of my top-three movies for last year was a film I was looking forward to - they all took me by surprise. A lot of the fun of being a film geek is the anticipation and speculation that comes with looking forward to movies, but the weird thing is that the end result is so rarely what you expected.

So, in the words of last year's real fantastic fox: CHAOS REIGNS!